The protest was organized by a group of Manchester United fans who are unhappy with the club’s ownership structure and the impact it has on the team’s performance and finances. The fans are particularly upset about the £500 million debt loaded onto the club by the Glazer family, which has increased to £730 million despite the family taking large dividends annually. The removal of ticket concessions has also been a major point of contention, with around 7,000 concessionary ticket holders potentially not renewing their season tickets due to the increased prices.
While the exact reasons for canceling the protest are not clear, it’s likely that the recent transfer deal for Benjamin Sesko has played a significant role in the decision. The £74 million deal suggests that the club is serious about investing in the team and improving its performance, which may have alleviated some of the concerns among fans. Additionally, the club’s decision to prioritize the team’s performance on the pitch may have taken precedence over the protest, with fans eager to see the team succeed and bring some much-needed success to the club.
The cancellation of the protest highlights the complex relationship between Manchester United fans and the club’s ownership. While fans are unhappy with the current ownership structure and ticketing policies, they also want the team to succeed on the pitch. The protest would have been a significant show of dissent among fans, and its cancellation may be seen as a temporary truce between the fans and the club’s ownership.
the cancellation of the protest against Jim Ratcliffe and INEOS is a significant development in the relationship between Manchester United fans and the club’s ownership. While the exact reasons for the cancellation are not clear, it’s likely that the recent transfer deal for Benjamin Sesko has played a role in the decision. The complex relationship between fans and ownership will continue to be a major issue for the club, and it remains to be seen how the situation will unfold in the future.
